Peking Duck (2023)
short film
1:00 min

After an unexpected night, Kevin is confronted with an awakening at the restaurant table with his Mom.

This 1-min ultra short was created for the 18th annual Mighty Asian Moviemaking Marathon (2023), a film competition held by the Vancouver Asian Film Festival. Peking Duck won best screenplay and best performance (Liam Ma) in its 1-min ultra short category.


Screenings

2023   Vancouver Asian Film Festival



i see you when you see me (2023)
video work
3 min 42 secs

i see you when you see me (2023) is a tender exploration of archival home video and personal iPhone footage. This video work attempts to create dialogue between my mother and I through the weaving of cuts the reciprocal act of the recording and preserving memory through the archival hand of the “artist” behind the camera. Working on this piece made me realize how similar I am to my mother, and it lets me see her the way she sees me. 

Screenings:

2023 The Polygon Art Gallery



mourning orange (2022)
video work
2 min 56 secs

mourning orange is a multi-frame, multi-fragmented video work that meditates on grief and reinterprets the semiotics of the orange within diaspora Chinese-Canadian culture and domestic space. This video work was made possible through The Lind Prize Filmmaking Workshop with the support of The Polygon Gallery and The Cinematheq ue. Thank you for your support.

Screenings:

2023 Liquidation World
2022 Eastside Culture Crawl
2022 Polygon Gallery





motherland 母懷之地 (2021) - password: motherland2021
short film
12 mins 13 secs

A grieving boy moves across the liminal spaces of his memory to connect with his mother. Through this act, he must confront the tension and trauma within his body to find solace.


motherland 母懷之地 (2021) is an experimental movement film commissionsed by F.O.R.M (The Festival of Recorded Movement) in Vancouver, Canada. Special thanks to Sarah Wong, Joshua Lam, Shiun Okada, Veron Xio, Sophia Wolfe, and Tamar Tabori.
Screenings:

2024   Hong Kong Arthouse Film Festival (Hong Kong, SAR)
2024   DisOrient Asian American Film Festival of Oregon (Eugene, OR)
2023   FURIES Contemporary Dance Film Festival (Marsoui, QC)
2023   IMAGES Festival (Toronto, ON)
2022   Vancouver Asian Film Festival (Vancouver, BC)
2022   SFU ArtsLive (Vancouver, BC)
2021    Festival of Recorded Movement (Vancouver, BC)





my pain is our song
(2021)

video, documented performance
6 min 20 sec
When the body is broken and continues to walk without pause, it mourns for stillness. The body is a vessel that remembers. my pain is our song is a documented performance video work exploring memory and hidden scores of trauma in the body through repeated acts of cold water exposure. This site specific work is a response to grief and the subject's innate connectedness to the water, and to bodily discomfort to remember his body.

Screenings:

2023    XINEMA (VIFF Studio Theatre)
2021     
Health Initiative for Men - Summit Conference
2021     Errance, UBC Graduating Exhibition
2023    
XINEMA (VIFF Studio Theatre)

Collections:

2021 Quarantine Qapsule (Digital Archives): Emily Carr University of Art and Design, Mysuem Toronto

Press:

2023 - the CiTr February/March 2023 Issue
https://www.citr.ca/discorder/february-march-2023/my-pain-is-our-song/




at the table (2020)
multi-frame video
4 mins 35 secs

at the table is a multi-frame video installation exploring the semiotics of the dinner table in the cultural domestic space. Drawing from Sara Ahmed's theorization of objecthood, orientations, and the performance of the family unit, the piece exhibits family dining occasions. Through video fragmentation and sound application, the work bleeds in and out visually and auditorily to animate feelings inside and outside of the frame - a juxtaposition between ease and tension, tenderness and rage. Divided into 6 frames, the dinners are cropped to create a binary across the table. Interior and exterior sound is used to emote the passive-aggressiveness of the domestic dinner.